Mélancolie musicale de l'Arménie

Le musicien arménien Gaguik Mouradian en concert au Théâtre des Abbesses (Paris-18e), le 10 février 2007.

Samedi 10 février, l'Arménie s'exprimait au Théâtre des Abbesses, à Paris. Après quelques pièces en solo interprétées par le joueur de kamantché (vielle à pique) Gaguik Mouradian, formidable ciseleur de cordes, la sonorité douce et plaintive du doudouk de Lévon Minassian, hautbois à neuf trous taillé dans l'abricotier, tisse le fil conducteur du répertoire.

Lévon Minassian a grandi à Marseille, mais il porte la terre de ses aïeux en lui et dans cet instrument dont il joue depuis l'âge de 16 ans. Lauréat du "Trophée des maîtres", réunion des grands interprètes, révélatrice de nouveaux talents du doudouk ayant lieu tous les dix ans à Gumri, deuxième ville de l'Arménie, il a enregistré deux albums (label Long Distance), en collaboration avec Peter Gabriel, Aznavour, Sting, I Muvrini, participé à plusieurs musiques de films avec le compositeur Armand Amar.

Autour de lui, deux autres joueurs dedoudouk, venus d'Arménie, Amen Ghazarian et Arthur Ghasabian, chargé de faire le bourdon (note tenue, le dam) sous la mélodie. A deux (dans la tradition, le soliste est accompagné du bourdon) ou à trois, les musiciens déroulent de lentes musiques tristes, poignantes et infiniment sensuelles.

Rejoints sur certaines pièces par deux talents sûrs du chant arménien, Roselyne Minassian et le puissant Hamlet Gevorgian, connu comme le plus renommé spécialiste du chant traditionnel à Erevan, les doudoukistes dictent la loi de la mélancolie austère et belle imprégnant la musique de l'Arménie, des mélodies qui semblent porter en elles la mémoire, l'histoire douloureuse du pays.

The BBC Folk Awards, The Brewery, London

Folkies aren't supposed to want to be famous; they're supposed to want to be contiguous with their tradition. This does not appear to be an issue for Seth Lakeman (inset), the young Dartmoor multi-instrumentalist and beacon of spanking new folk celebrity. He won two gongs at the BBC Folk Awards last week and treated the assembly to a demonstration of authentic star quality.

He radiates wide-eyed camera-ready energy and he does it without inhibition. But whereas Lakeman just goes out there and gets on with it, everyone else in folk is a bit anxious about the celeb thing, not least the BBC. The problem, of course, is that to serve folk's cause you need to get "profile". To get profile you need to get people's attention. And to get people's attention these days requires celebrity, or so they say. What then ensues is the marketing grail: momentum. So while the Folk Awards have got bigger and bigger over the half-decade or so since their inception, year-on-year biggerness has become an absolute requirement.

Danny Thompson and Peter Gabriel (not a mirror image!)

This year the ante was upped afresh. The stage was dressed with Hollywood twinkles, Eliza Carthy dressed herself as the inside of a pomegranate and Lembit Opik MP made a speech in which he declared a passionate interest in Romanian musicianship.

That was the only real stomach-churner, though, because the Beeb just about got it right, by inviting celebrity gong-presenters possessed of real status but, Opik aside, reasonably contained vanity. Nick Park, Andrew Motion, Sir David Attenborough, Rosanne Cash, Peter Gabriel and Jennifer Saunders were gracious, un-narcissistic and in some ways relevant to the recipients of their prizes. Vin Garbutt and Archie Fisher were less sexy but more relevant.



In real folk terms, though, sexy is hard to define. Some might suggest that the definition of 21st-century folk sexiness might be the unlooked-for onstage reunion of the first great crossover artists of British folk. No, not the Seekers. Pentangle. And so it came to pass. A shudder of anticipation passed round the Brewery as the original five-pointed stars of folk-rock-jazz-blues fusion took the stage for the first time in 30 years and then completely cocked up their first number, "Bruton Town". They followed it, almost flawlessly, with that hoary old cliché of Sixties pan-cultural fusion, "Light Flight", and everyone felt a lot better. You even began to get a sense of what it was that made them into celebrities all those years ago - slippery, shiny, elusive music that defies easy definition. Music which is remarkable for being neither wholly one thing nor another.

By Nick Coleman

Peter Gabriel Growing Up Live on Artsworld Sky TV

Peter Gabriel performs a live concert from the Fila Forum, Milan, featuring a range of his songs, including old favourites such as Sledgehammer, Red Rain and Solsbury Hill.

Broadcast times :
Sun 11 Feb 2007 9pm - 10pm
Wed 14 Feb 2007 0:40am - 1:40am
Thu 15 Feb 2007 9pm - 10pm
Fri 16 Feb 2007 4pm - 5pm

Featured artists :
The Blind Boys of Alabama (vocals)
Richard Evans (guitar)
Melanie Gabriel (vocals)
Peter Gabriel (vocals)
Tony Levin (bass)
Ged Lynch (drums)
Sevara Nazarkhan (vocals)
David Rhodes (guitar)
Charles Zawose (vocals)
Dr. Hukwe Zawose (vocals)
Rachel Z (keyboards)

Filmed live at the Fila Forum in Milan, in May 2003, Peter Gabriel masterminds this fascinating concert. Featuring visually stunning theatrics set against classic Gabriel hits and songs from his album, Up, Gabriel performs a selection of favourite songs including Sledgehammer, Red Rain, Solsbury Hill and Secret World in a musical tour-de-force that has made Gabriel one of the all-time great performers of the last four decades.

Whole Music Experience: New Music Blog

General NewsSeattle, Washington--Patricia Herlevi, founder of Cranky Crow Whole Music launched a new blog, Whole Music Experience. The blog has been created for musicians, sound healers, labels, promoters and those who organize communal music events such as festivals to contribute short articles about their work and or healing music.

While Herlevi contributes most of the reviews and articles to CCWM, she encourages invited authors to contribute to the community-building blog. She prefers to take a few steps back and moderate the contributions of other writers, musicians, etc. She also encourages musicians who have already been featured in her reviews and articles to contribute to the blog and to express their own ideas about their respective music.

Herlevi envisions a diverse group of authors to come together and share their innovative and intriguing projects. These projects can include, but are not limited to WOMAD, world and jazz music festivals, The Eden Project, youth and music projects, healing arts, or non-profits started by musicians to make a difference in the world.

Interested parties can visit the blog at http://www.wholemusicexp.blogspot.com or contact Patricia Herlevi through World Music Central

Eclectic music inspires choreography

VU ensemble creates dance story to Peter Gabriel's songs

Setting Peter Gabriel's eclectic songs as a theme for a dance performance has benefited both the performers of the Valparaiso University Dance Ensemble and its staff.

"We're expanding their music repertoire, which is kind of fun as a teacher," said Ann Kessler, ensemble co-choreographer and an associate professor of theatre at VU.

"Sometimes you can't ever teach a kid something new, because they know everything, so it's nice every once in a while to be able to do something like this, and it's also something where you're not repeating yourself."

Scheduled to perform today through Sunday at the University Theatre at the VU Center for the Arts, Kessler came up with the idea of setting the Gabriel's multigenred music to original choreography with Kathleen Dominiak, an adjunct assistant professor of theater and co-choreographer.

Both instructors, Kessler said, have been longtime fans of Gabriel's music, which has melded pop and rock with world music and rhythms over three decades. Along with Michigan City VU graduate student Derek Bolka, the choreographers have created a nine-song, 40-minute piece.

"His music is so interesting and his lyrics are so interesting," Kessler said.

"But sometimes they're not easy lyrics. There's images of religion and images of love lost and love gained. Sometimes (the music) is very, very happy, but the words are very insecure -- this is kind of a way of handing down a tradition and keeping his music alive."

Combining long-loved classic rock staples such as "Solisbury Hill" and "In Your Eyes" with deep cuts such as "Here Comes The Flood" and "Excellent Birds (This is the Picture)," the trio have created a running story about two people who must deal with the world around them after being pulled into a painting for the 35-member ensemble's performance. The trio have also included a pair of instrumental pieces penned by Gabriel for the soundtrack to the 1985 film "Birdy."

Kessler said many of her dancers, at first, could not see how the songs were going to connect to tell the story.

"It was hard for them to see how this all made sense," she said. "But in December, before we all left for (holiday) break, we ran all the pieces in order for the first time, and they started to see how all these (songs) connected."

BY TIM SHELLBERG
Times Correspondent

ifyougo

Valparaiso University Dance Ensemble

When: 8 tonight, 2 p.m. and 8 p.m. Saturday and 7 p.m. Sunday

Where: University Theatre at the VU Center for the Arts, Valparaiso University, Valparaiso

Cost: $15 adults, $10 senior citizens and students

FYI: (219) 464-5162 or www.valpo.edu

Reggae stars and rock wannabes live on stage

Young rock stars of the future are gearing up for this year's Rock 2007 @ George Ward, the school's annual rock concert. Already nine acts, ranging in age for 12 to over 17, are lined up for the evening on March 9, with music styles ranging from rock to rap.

All profits from this year's concert are going to the GBSS charity, Stepping Stones Opportunity Pre-school in Trowbridge and The Jonah Wright Fund. Included on the bill is singer Kelly Woolford, who has just released her debut CD of self-written material, pictured below, and started gigging with a backing band.

She played her first gig at the Fox in Broughton Gifford last Thursday night, and will be on stage again tomorrow night at the George Ward School's Valentines Ball. The CD is on sale at £3 to raise money for the GBSS charity.

Rock 2007 includes an auction which already has items donated by top local musicians such as Nick Mason and Peter Gabriel, and promises to be a great night. Tickets are on sale now at £5 (£6 on the door) from (01225) 705866...

WOMAD acts announced

New artists for this years WOMAD festival line-up have just been announced by the organisers.

Peter Gabriel's World of Music, Arts & Dance is taking place at Charlton Park, near Malmesbury on 27 to 29 July this year.

It will feature over 70 world-class artists from 40 countries performing over three days. The full line-up so far is as follows, with many more acts due to be announced over the coming months: Baaba Maal (Senegal), Balkan Beat Box (Israel/USA), Bassekou Kouyate & Ngoni Ba (Mali), Ben Taylor (USA), Bill Cobham (USA), Candi Staton (USA), Cesaria Evora (Cape Verde), CJ Chenier (USA), Daara J (Senegal), DJ Shantel (Germany), El Tanbura (Egypt), Imagined Village (UK), Kronos Quartet (USA), Kung Nei & Ouch Savy (Cambodia), Lila Downs (Mexico), Mariza (Portugal), Marzoug (Algeria), Samba Mapangala & Orchestre Virunga (Kenya/Democratic Republic of Congo), Sam Tshabalala (South Africa), Serta-Gesar Troupe (Tibet), Sheila Chandra (UK), Steel Pulse (UK), The Dhol Foundation (UK), Toots and the Maytals (Jamaica), Toumast (Niger), Warsaw Village Band (Poland).

Tickets for the event are already selling very well, and WOMAD is pleased to announce some details on how to get discounted tickets. Previously available until the end of January, our 'Early Bird' offer is now open until Wednesday 28 February. During this period, a Weekend ticket will cost £110 before the price rises to £120 from 1 March onwards.

We are also offering discounted Weekend tickets to residents local to Charlton Park, who live within the SN16 postcode area. These limited-availability tickets are priced at £50 and are being sold on a first come, first served basis. Set in a picturesque rural landscape in the heart of the Wiltshire countryside, Charlton Park is the new home for the WOMAD Festival in our 25th anniversary year. This beautiful location presents an opportunity to experience the festival in a truly green, pleasant and spacious environment.

Charlton Park is situated just outside the historic abbey town of Malmesbury in North Wiltshire. Easily accessible by road and rail, the festival site is just seven miles from Junction 17 of the M4, only one hundred miles due west of London, and less than thirty miles away from Bath, Bristol and Swindon. WOMAD Charlton Park will welcome an audience of 20,000 and will feature seven stages and workshop areas, including a children's village, many more activities and festival features, all in the idyllic environment of Charlton's open lawns and rolling fields.

Alongside the new attractions of Charlton Park, WOMAD's familiar feast of entertainment and celebration will remain: brilliant live music; weekend camping; a full programme of participatory workshops for adults and children; Taste The World sessions; late night dance, DJ's and grooves at Club WOMAD; relaxed entertainment on Thursday evening; a children's procession on Sunday; a chance to 'shop around the world' at over 250 international food, drink, arts, craft and merchandise stalls in our Global Village; sumptuous site decoration featuring hundreds of flags, projections, visual art and temporary structures; plus the unrivalled atmosphere that our audience simply loves.

TICKET DETAILS Weekend ticket: £110 ('Early Bird' price - previously available until 31 January, now available until 28 February) Weekend ticket: £120 (Standard price - available from 1 March) SN16 Weekend ticket: £50 (to residents of SN16 postcode area, limited availability) Thursday Camping ticket: £10 (Allows access to festival site from 26 July) All Weekend tickets include free camping from Friday - Monday.

Concessions available.

Families are entitled to savings as two children aged 13 and under can come free with each adult ticket buyer.

BOOK BY PHONE OR FAX (from 12 Feb) Tel: 0845 146 1735 Lines open Monday-Friday from 10am-6pm for credit/debit card bookings Fax bookings: 0870 720 2128

3:01pm Tuesday 6th February 2007

By Benjamin Parkes

With album, tour, Paula Cole reignites career

New music due for June release

By Jason Simpson, GLOUCESTER DAILY TIMES (GLOUCESTER, Mass.)

ROCKPORT, Mass. — After a seven-year hiatus, Paula Cole says her music career has come full circle.

Cole, who grew up in Rockport before becoming a hit singer-songwriter in the 1990s, will embark on her first concert tour in seven years, “Lessons in Life 07/08,” later this year.

Cole’s fifth album, “Courage,” tentatively will be released in June. Cole said the music is more gentle than her earlier albums, recorded prior to her hiatus from the public spotlight.

Before her cross-country tour, Cole will perform at her alma mater, the Berklee School of Music in Boston, on Feb. 16. Cole said she views this show as a “thank you” to her college, her family, her hometown and others who have supported her career throughout the years.

“I want to thank the Rockport community for their support, and this show will be for them, my hometown,” Cole, the daughter of Stephanie and Jim Cole of King Street, said.

Cole said she’s preparing for the upcoming show by singing a little bit each day and trying to not get sick. Cole is also thinking about the overall arch of the show, which will include songs the audience knows as well as songs from her upcoming album.

Cole will also feature her new band at the concert, which she said is “breathtakingly great.” Rehearsals with the band have given Cole goose bumps, she said, because of their talent and energy.

Cole’s ‘Courage’

“Courage” has been Cole’s mantra over the past seven years, the 38-year-old said. She knew for years that her next album would have this title — the word is sung in numerous instances throughout the album, Cole said.

It took courage to get out of an unhappy marriage in her time off, she said, and to start working again in an industry in which her former record label said she would never get a second chance.

Cole said she took the time off after spending seven years of constant touring and recording, which she said was a long time to work nonstop. It began in 1993 when she joined Peter Gabriel’s world tour as a backup singer. During that time she recorded three albums: “Harbinger” in 1994, “This Fire” in 1996 and “Amen” in 1999. She toured as an opening act for Melissa Etheridge and Sarah McLachlan. She had hits with “Where Have All the Cowboys Gone?” and “I Don’t Want to Wait,” both from her second album. She won the Grammy for Best New Artist in 1998, along with a number of Boston Music Awards.

“My personal life atrophied, and I needed to step off the hamster wheel,” she said. “I wanted motherhood. I wanted a child. It felt increasingly inauthentic to be living the young dream (of a life of touring).”

When under the radar of the public’s sight, Cole moved to Los Angeles, severed her ties with Warner Brothers, her recording label, and had her first child, Sky, who is now 5.

But more recently, she moved back East and became reacquainted with Bobby Colomby, who managed a deal with Universal/Decca Records for Cole’s next album.

“Now I’m working on resurrecting everything,” Cole said. “It’s exciting not to know (what the future holds) and to be in the moment. ... (With a music career and being a mother) I’m not going to have a cookie-cutter life, that’s for sure.”

Cole said her “wonderful little girl” is her first priority, and her “Lessons in Life 07/08” tour will be scheduled around Sky’s school schedule. She adds that singing keeps her happy, and it was weird to be a singer every day, then all of a sudden not to be.

Cole said she’s looking forward to the second chapter in her life, which she will appreciate more after reflecting on her life in her time off.

A new sound

“Courage” will offer a new sound from Cole, which she said is not as angry as her earlier work.

The album has a greater stylistic range, she said, with an eclectic mix of songs for the radio, and others — including one that features Herbie Hancock — that sound as though they could be from the 1940s.

“‘Courage’ is about love and picking up the pieces,” Cole said. “All my albums are honest and autobiographical.”

Cole attempted to compose her fourth album with her former record label during her hiatus, but it never came out. After composing 20 songs, she “had to walk away” from the songs as part of her contract, she said. Cole said this was a positive thing, however, because it released her from the baggage she felt she was carrying with her at the time.

The new album is a “completely new body of work,” she said, in which she co-wrote her lyrics, rather than writing them by herself.

Unlike her earlier albums, Cole didn’t produce the new album. She was solely a singer-songwriter on the project, making the project more fun. Colomby also helped bring the fun back into music writing, she said.

Coming full circle

Moving to Los Angeles was a “delusional attempt to find happiness,” Cole said, because your life will follow you wherever you go.

In her time there, she said, she found herself missing her East Coast roots. And having a child made her want to go “full circle.”

“I’m so lucky that I grew up in Rockport; I know that now,” Cole said. “When I was younger, I was antsy and wanted to move to the big city. I might have taken for granted the delicious salt air, the small, caring community and the natural beauty (of Rockport).”

Cole said Rockport’s small-town charm created her work ethic and her inclination to be naive at times.

“East Oceanside,” the fictional location of her greatest hits album, “Postcards from East Oceanside,” which was released last summer, is Rockport, she said, a town she tries to go back to as much as possible. Cole said her best friends to date are the ones she met in kindergarten and third grade.

Cole said returning to her old stomping grounds of Rockport and Boston recharges her heart and soul. When looking to her upcoming concert at Berklee and beyond, Cole said there are “a lot of good things” to come.

Jason Simpson writes for the Gloucester (Mass.) Daily Times.

Real World Studios Choose sE

Real World’s Studios take delivery of the sE range of microphones and conclude: ‘great results’, ‘the best performance for the money’ and ‘build quality amongst the best out there’…

Real World Studios should need no introduction. This idyllic suite of top class recording and writing rooms has become something of a legend in its relatively short existence. Set up by Peter Gabriel, the complex houses the most state of the art equipment within some of the most beautiful surroundings the UK has to offer. The facility has recently taken stock of a range of sE microphones for its new Mill Side studio, as in house engineer Dom Monks and senior sound engineer Marco Migliari explain…

“Real World own both a Gemini, an sE2200a and a pair of sE3s. (I also own a z5600a),” explains Dom. “Bruno Ellingham [another producer and engineer at Real World], first put me on to sE mics. He had a few on demo and was getting really great results from them.”

“The great thing about sE mics is their value for money. Because any producer or artist can afford their own sE mic they're not restricted to where they record, so it's that much easier to maintain continuity. And compared to other 'low cost' mics on the market they just sound more expensive.”

Marco agrees: “We wanted to offer a selection of microphones that would both fit the budget and be rugged enough to withstand the abuse they're typically subjected to, and also deliver the best performance for the money.”

And both Dom and Marco are agreed that the build quality is another major plus point of the range…

“The value for money is obvious, but beyond that the sonics and the build quality are amongst the best out there for new mics,” says Dom.

“Also priceless are the rugged cases they come with, something that mics three times the price often don't have,” adds Marco. “The accessories that are included in the price such as cradles, mounting kits etc. have proved to be useful and reliable in all situations.”

In summary, then, it’s fair to say that the sE range has been a hit over at Real World…

“Whilst both the Gemini and the z5600a are both great work-horse mics,” says Dom, “I have had experiences where they are just better suited to a certain singer than some high-end vintage valve mics. I've seen this happen on other people’s sessions as well. They just suit some people’s voices better than any other mic.”

“They're easy to position and have all of the on-board options you'd need to do a good job, like roll-off filters, pads and changeable polar pattern,” concludes Marco. “The package was just right: good quality mics, solid build, a selection of useful and lasting accessories and a decent aluminium case for each mic or pair. Add this to a competitive price, and you've got an easy decision in your hands. I particularly like the tone of the SE2200a – it's hard to find another mic in the same price range that could deliver a better performance.”

Marco is currently producing the band The Moonfish (see their page at www.myspace.com/themoonfish) with a lot more production and mixing work lined up for 2007. Dom also has lots of work lined up at Real World: “plenty of things to do and lessons to learn!” he says.

More information from:
www.seelectronics.com
realworldstudios.com
www.marcomigliari.com

World Peace One

Le samedi 11 Août 2007, EarthOne Productions proposera "World Peace One," le plus grand rassemblement humanitaire jamais organisé au monde.

L'évènement sera retransmis en direct depuis les quinze plus grandes villes du monde pendant 24 heures non-stop en respectant les 24 fuseaux horaires.

Tout au long de sa diffusion, World Peace One réunira le monde en musique et touchera la bagatelle de 3 milliards et demi de téléspectateurs potentiels à travers 180 pays puisque ce concert sera diffusé non seulement à la télévision mais aussi sur les ondes radio, sur Internet et sur le réseau des téléphones mobiles.

En parallèle une campagne de sensibilisation sera organisée pour récolter des fonds pour la plus noble des ambitions : faire cesser de manière définitive tous les conflits mondiaux.

World Peace One réunira non seulement des chanteurs mais aussi des acteurs, des athlètes, des prix Nobel, des docteurs, des scientifiques, des diplomates, des leaders politiques et des citoyens du monde qui à leur échelle donnent de leur temps et des moyens pour cette cause primordiale de la paix dans le monde.

Parmi les villes choisies on peut citer :

Sydney, Tokyo, Seoul, Pékin, Moscou, Dubaï, Johannesburg, le Caire, Berlin, Londres, Rio de Janeiro , New-York, Las Vegas, Los Angeles.

Enfin, voici la liste ( non-exhaustive ) des participants qui ont d'ores et déjà donné leur aval pour se produire ce jour-là :

U2, Madonna, Pink Floyd, Carlos Santana, Yes, Shakira, the Rolling Stones, Earth Wind & Fire, Paul McCartney, Elton John, Sting, David Bowie, Lionel Richie, the Goo Goo Dolls, Aerosmith, Bruce Springsteen, The Who, Led Zeppelin, Tina Turner, The Eagles, Pearl Jam, Moby, Alanis Morissette, Phil Collins, Eminem, Wyclef Jean, Will Smith, Usher, Mary J. Blige, JZ, Beyonce, Pink, Peter Gabriel, Eric Clapton, Alicia Keys, Lenny Kravitz, Janet Jackson, Baby Face, Greenday, Stevie Wonder, Chaka Khan, Patti Labelle, Aretha Franklin, Red Hot Chili Peppers, Justin Timberlake, Christina Aguilera, Celine Dion, Mariah Carey, Britney Spears, Bon Jovi, Outkast, Sarah McLachlan, Enya, Paul Simon, The Dixie Chicks, Willie Nelson, Garth Brooks, Rascal Flatts, Tricia Yearwood, Keith Urban, Shania Twain, Martina McBride, Faith Hill, Tim McGraw, Ricky Martin, Mark Antony, David Bisbal, Juanes, Luis Miguel, Alejandro Sanz, Gilberto Gil, Barbra Streisand, Bette Midler, Tony Bennett, Andrea Bocelli, Josh Groban, et plein de célébrités représentatives de chaque pays du monde.


Retrouvez tous les détails de cet évènement ici

Sun City Owner

The shock news that Manchester has won the race to provide the site for the UK's first "super casino" has turned the spotlight on South African Sol Kerzner...

"Sanctions breaker"

Sun City made Kerzner one of the richest men in Africa. While he was able to persuade artists such as Elton John and Shirley Bassey to perform at the casino, on the pretext that it was in an "independent" country, other stars boycotted the venue.

A 1985 album, Sun City, by Artists United Against Apartheid including Little Steven and Peter Gabriel, attacked Kerzner as a sanctions breaker. It was something he continued to deny claiming the resort encouraged harmony among the races.

In an interview in 2005 he said what excited him "was that, in a country where the races had been kept apart by law, we'd created a place where people of all colours could eat together, gamble together, watch international shows together, even sleep together."
Kerzner began facing other attacks, this time over alleged corruption. He was acused of having bribed a homeland leader, a charge that hung for years until it was finally dismissed by the South African attorney general.

Further allegations, in 1986, claiming he had bribed the former leader of Transkei, were dropped in 1993.

Kerzner gave money both to the white National Party and the African National Congress. After coming to power, Nelson Mandela confirmed that the ANC had received £140,000 from him saying "[the Kerzners are] an example of a family not only interested in their own enrichment, but willing to give something back."

Kerzner remained close to Mandela and now lives a flamboyant lifestyle, not least in his choice of brides. He numbers the first ever South African Miss World among the four women he has married.

He has a taste for the company of celebrities with Liza Minnelli, Shirley Bassey, Bono and Tracey Emin among the guests for his 70th birthday party at his Monaco villa.

Over the years Kerzner has moved his core businesses away from South Africa, expanding into the Bahamas, where he is now based, the USA and, now, the UK.

While he still has to retender for the Manchester casino it would be a brave man who could look at his record and bet against him getting it. Unlike the many punters who will eventually cross the threshold of the new venue, when it comes to business deals, Sol Krezner is not a gambler.

Riffs & legends

...One way and another, there was a lot riding on Wednesday's Real World concert. Featuring artists from as far afield as Africa and central Asia, it was the most conspicuous example of the festival's expanded horizons under new artistic consultant Donald Shaw, and also the first time Peter Gabriel's celebrated record label had produced such an event in Scotland.

A near-capacity crowd was treated to a succession of outstanding performances, starting with the young Mauritanian singer-songwriter Daby Touré, whose supple, soaring vocals were framed by bracingly taut, reggae-infused guitar, bass and percussion backing.

Next up were Cuillin Music, the band who continue to promote the rich creative legacy of visionary composer and performer Martyn Bennett, who died two years ago. With Kirsten Bennett on synth/percussion, fiddlers Adam Sutherland, Greg Lawson and Martin Swan, and Ross Ainslie and Fraser Fifield on pipes and whistles, they delivered a thrilling handful of tracks from Bennett's Bothy Culture and Hardland albums, keeping the flame alive by reworking the material rather than seeking simply to replicate the originals. Then came Uzbekistani singer Sevara Nazarkhan, a pixie-like figure with a ferocious voice, matched by a dub, dance and electronica backdrop from her four-piece band.

Finally the Fruitmarket resounded to the mighty guitar virtuosity of Skip "Little Axe" McDonald, flanked by the heavy-duty rhythm team of Doug Wimbish and Keith LeBlanc (of the Sugarhill Gang) with live mixing by DJ/producer Adrian Sherwood. Drawing largely on the recent Little Axe album Stone Cold Ohio, they stirred together a dark, delicious stew of blues, gospel and soul...

February's Full Moon

Catch up with Peter in February's update which just scrapes in under the full moon - we've had a few technical hitches putting this one together. Watch the video for news of The World Economic Forum, new music, new ideas and artist as curator.

Watch the update in The Full Moon Club.

Win a unique guitar signed Peter Gabriel

O2 and Q are offering one Q reader the chance to win the beautiful Gibson Les Paul Custom Plus VS guitar pictured here. A genuine one-off, the iconic axe was signed by the likes of Noel Gallagher, Paul Weller, Razorlight, The Kooks, Peter Gabriel, Gnarls Barkley, Smokey Robinson and the Manic Street Preachers at last year's Q Awards ceremony...

Realworld old fruit market Glasgow

Scotsman

There was a truly international flavour to this showcase of artists on Peter Gabriel's Real World record label, with all the musical diversity that implies. Mauritanian singer/songwriter Daby Toure was first up, with his organic blend of voice and percussive guitar easing the crowd into his instinctive musical realm. In slick contrast to his almost improvisatory approach, Sevara Nazarkhan, previously a Radio 3 World Music Award-winner, turned out to be the Uzbek Enya, with a sound as pristine and floaty as her white dress. There were hints of a Bjork-like eccentricity to her soaring voice, but mostly her quirkiness was tempered by a practised professionalism.

Closer to home, special guests Cuillin Music continued to celebrate the memory of piper Martyn Bennett, under the direction of his widow Kirsten. Their urgent, dynamic assault with three fiddles, pipes, whistles and beats was particularly poignant as it marked the precise anniversary of Bennett's untimely death two years ago.

It was a shame the crowd had thinned out slightly by the time guitarist Skip McDonald, aka Little Axe, took the stage, accompanied by his Tackhead compatriots, bassist Doug Wimbish and drummer Keith LeBlanc, plus a soulful chorus of bluesy singers led by Bernard Fowler, as theirs was the most assured set of the night, anchored by a low-slung dub groove over which McDonald and Wimbish laid out some impressive flourishes.

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The Herald

The Celtic Connections crew deserve huge praise for persuading Peter Gabriel's label to put on a showcase gig at the festival, but it was a disappointingly sparse crowd that greeted the arrival onstage of Mauritania's Daby Touré. Backed by a wonderfully fluid rhythm section, Touré smiled his way through tracks from his album Diam (Peace), mixing jazz, reggae and rock with irresistible African beats.

Two years ago, Martyn Bennett's tragic death cast a shadow over the festival, and Cuillin Music paid a fitting tribute to him. Bagpipes, fiddles, tin whistles and slamming beats kept the pot boiling nicely in advance of the astonishing talent that is Sevara Nazarkhan. Uzbekistan's most famous musical export hypnotised with tracks from her album Yol Bolsin (Where Are You Going), utilising traditional instruments over modern jazz and dance tracks. Indeed, Nazarkhan's dance was fundamental to her music. Overall, this was an expressively elegant, captivating performance.

In splendid contrast, New York's Skip McDonald, aka Little Axe, with a band including Sugarhill Gang drummer Keith LeBlanc and the former Living Colour bassist, the wickedly good Doug Wimbish, blasted through the new album Stone Cold Ohio and brought the evening to a blistering blues-funk conclusion.

Another Day

Every day, we bring you the best thing we've seen on YouTube - a great piece of archive footage, a music promo or a clip from one of our favourite movies or TV shows.

Today: Watch a classic TV performance by Peter Gabriel and Kate Bush from 1979. The couple performed a frankly weird cover version of Roy Harper’s “Another Day” on Kate’s Christmas TV special from that year.

The duet was even discussed as a possible single release – but as all keen pop historians know, that never happened. Kate later contributed vocals to Peter Gabriel’s 1986 single “Don’t Give Up.” That duet was a huge success, spending 11 weeks in the UK singles chart. For added ‘watchability’, check out the chemistry between Gabriel and Bush as they ‘act’ out the lyrics of the song, including touching arms across a shoddy-looking kitchen table. Sexy stuff.

See the talked about Gabriel and Bush duet by clicking here now

Peter Gabriel Drums Up Support for Witness

And The Eyes Of The World Are Watching Now

In an era where YouTube makes it possible for anyone with an Internet connection to broadcast their every whim, Peter Gabriel is making a plea to harness video voyeurism for good. At the World Economic Forum in Davos, Switzerland, Gabriel engaged in a little fundraising for Witness, his latest venture which seeks to document human rights abuses throughout the world on amateur video cameras. "With the phone and Internet, anyone, any place, can tell their story," said the politically-conscious singer.

A longtime supporter of Amnesty International, Gabriel provided one of the defining performances of the Eighties during the 1986 Conspiracy Of Hope concert at Giants Stadium. With 80,000 people singing along to "Biko," Gabriel not only made one high school junior realize that music can do so much more than entertain, he motivated many in attendance to join the Nobel Prize winning organization with his understated "the rest is up to you."

Peter Gabriel dématérialisé

Uncut rapportait la semaine dernière que Peter Gabriel prévoyait commercialiser son prochain album en format numérique. Du moins aux États-Unis. Le créateur aurait établi un partenariat avec une entreprise baptisée Ingenious Media, qui a déjà publié un album de Mick Hucknall, du groupe Simply Red. Il sera très intéressant de suivre l'aventure de Peter Gabriel, puisqu'elle pourrait constituer un bon indice quant à la viabilité d'une telle méthode. Si un artiste jouissant d'un tel renom et d'un bassin de fans aussi fidèles échoue, il ne s'agira pas d'une voie d'avenir pour les groupes qui sont encore confinés à leurs sous-sols...

Peter Gabriel veut un Youtube des droits de l’homme

Peter Gabriel était présent au World Economic Forum de Davos pour soutenir un site ouvert de surveillance des droits de l'homme

Peter Gabriel était présent au WEF de Davos pour rechercher les fonds et la technologie pour son projet Witness, un site vidéo de surveillance des droits de l'homme. Le but est de faire une sorte de Youtube qui permette d'uploader des vidéos témoins du non respect des droits de l'homme. « On a vu la tendance du journalisme citoyen » a souligné Peter Gabriel « avec le téléphone et Internet tout le monde peut s'exprimer depuis n'importe où ». Pour lui, la vidéo de la bastonnade de Rodney King en 1992 par la police de Los Angeles a démontré le pouvoir de la technologie. Peter Gabriel est en discussion avec Google pour son projet.

Thomas Mapfumo and the Blacks Unlimited

Rise Up [Calabash Music; 2005; r: Real World; 2006]

As far as nicknames go, you can't do much better than the "Lion of Zimbabwe." Forget, for the moment, that much of Zimbabwe's lion population has fallen prey to poaching or succumbed to the depletion of its habitat. Concentrate instead of the power conveyed by that title. Lion. King of the Jungle. King of All Beasts. The Lion King.

Hmm, that's another word to consider. King. King. If there's one word that trumps "lion" it's "king." No wonder, then, that musician Thomas Mapfumo, Lion of Zimbabwe, is considered a security threat by the paranoid, oppressive government of his homeland and in particular leader-for-life Robert Mugabe, Mapfumo's fellow former freedom fighter turned monster.

The lion is the national symbol of Zimbabwe, and Mapfumo has long been one of the country's national treasures. Yet even Mapfumo, an outspoken critic of Mugabe's destructive and dangerous dictatorship, can no longer call Zimbabwe home, having relocated from Zimbabwe in 2000 to the not-very-exotic environs of Eugene, Oregon, where he's lived as in exile ever since, safe but homesick. Much of his family remains in Africa, and so, clearly, does his heart.

That certainly explains how Mapfumo has been able to sustain his anger over three productive decades of music making, which have not just extended but deepened his reign as folk hero. What's been even more remarkable has been the prolonged power of his songwriting itself. Even in Oregon, away from the horrors and vast disappointments of Zimbabwe, Mapfumo's no lion in repose. He's kept up a prolific pace, releasing nearly a disc of his Chimurenga (or "music of struggle") a year while constantly touring with his band Blacks Unlimited.

Originally released as a download-only album but picked up last year by Peter Gabriel's Real World, Rise Up features a slightly more pared-down Blacks Unlimited, who now include a few Americans in their midst. Yet most of the hallmarks of classic Mapfumo remain intact: the circular guitar patterns, the pulses of organ, the pluck of multiple mbira, the call of horns, the cry of female backing singers. Mapfumo's often drawn comparisons to Bob Marley, and the melodies and performances here do share a certain soulfulness, spirituality, and conviction. If Mapfumo chose to sing in English rather than his native Shona, who knows? Maybe frat guys across the country would be listening to him as well.

They're not, of course. Nor are they likely troubled by the same issues that trouble Mapfumo, even if they're delivered with a hint of a reggae (particularly in the drum fills) and hypnotic polyrhythms. As Mapfumo's anthems helped fuel Mugabe's 1980 rise to power-- Mapfumo's "songs of struggle" were originally enlisted against then-Rhodesia's white-minority rule-- the singer no doubt feels the need to pay penance in the form of his critical songs, his moral authority heightened not hampered by the ironic role he played in the corruption of his own ideals.

That's not to strike idealism from the repertoire. Like Marley, Mapfumo excels at lifting your spirits even as he decries the things bringing his people down. There's a pulsing, double-time bass drum pattern in "Vanofira Chiiko? (What Are They Dying For?)" that helps transform the lament into an unlikely fist-pumper. The synth-bass prodding "Ndodya Marasha (I'm Mad as Hell)" lends an almost imperceptible urgency to the repetitive, deceptively static chord progression, until an upbeat break busts you out of the funk.

Then there are the other moments of outright ingenuity, invention, and surprise. The first few minutes of "Marudzi Nemarudzi/Different Races" shames, say, the Red Hot Chili Peppers' "Snow (Hey Oh)" while using a similar melody and a straight backbeat, but then jumps the rails in the best sense and heads off on a skanking half-beat tangent. "Ndodya Marasha" uses the same trick, only the other way around, suddenly shifting gears and picking up the pace when you least expect it to.

Maybe the tempos are slightly slower than they once were, and Mapfumo himself sometimes sounds surprisingly sedate for a man with so much on his mind. He's older, after all. But if there's anything Rise Up proves, it's that you don't need to scream to be heard.

-Joshua Klein, January 29, 2007